I'm hoping this is what Black Magic will achieve, really, with their UHDTV-4K cameras (which use the Rec.2020 colour space, which is really wide). With TVs slowly moving to 4K, and hopefully monitors to follow, the idea of a rec.2020 colour space across the workflow is _immensely_ appealing. Although right now, not quite affordable ($3500 for a camera that's really currently only seriously marketed by a single brand, plus $800 per single 4k monitor, it's not consumer-cheap yet)