As someone who has worked in the arts for over a decade, I see no path forward besides worker ownership of these platforms. Every other arrangement leads to race-to-the-bottom for the labor on these platforms.
Maybe the ongoing collapse of American cities as places that are unaffordable for anyone other that the ultra-wealthy will push software engineers in this direction. The housing crisis in San Francisco alone should demonstrate that class interests of white collar employees are more aligned with those of the workers on the platforms they create then those of their current owners.
"Regardless of whether the U.S. is able to maintain its trade barriers, a sustainable long-term structure would be a pilot-owned airline. If the pilots are the owners there need be no conflict concerning distributing profits. "
> Maybe the ongoing collapse of American cities as places that are unaffordable for anyone other that the ultra-wealthy will push software engineers in this direction. The housing crisis in San Francisco alone should demonstrate that class interests of white collar employees are more aligned with those of the workers on the platforms they create then those of their current owners.
This is ridiculous. That some cities in the US are unaffordable and becoming more so is a result of democratic decisions. Californian voters are like Irish voters, disproportionately property owners, and you see the same insane rise in property prices in much of the English speaking world. There are the occasional bright spots, like Seattle but the problem has a bloody obvious solution, build more housing. Tokyo’s rent and house prices have been basically flat for two decades while population increased by 50%.
San Francisco has the planning and zoning and housing it votes for, just like New York. If the desirability of any area increases and housing doesn’t then housing gets more expensive.
Of course the obvious solution would be to build more housing, but the wealthy and other incumbent interests will throw everything they have at preventing this from happening or keeping it unaffordable for those who need it.
That a society is ostensibly democratic tells you little about how the levers of power actually function around things like urban policy and real estate development. You also need a theory of power and means of change to implement whatever it is you want to accomplish. Per my original comment, I think a greater solidarity between white collar workers and the working class, as they both get soaked by rising rents and home prices, could provide a possibility for this kind of change.
> As someone who has worked in the arts for over a decade, I see no path forward besides worker ownership of these platforms. Every other arrangement leads to race-to-the-bottom for the labor on these platforms.
Sure, less popular creators can get some monetary support from a more progressive society arrangement. But they won't get more popularity, unless you can explain how your society arrangement leads to equitable redistribution of popularity. In other words, the median book author might get a nice basic income, but their book will still get crickets.
Most of the artists and writers I’ve ever met don’t actually want massive popularity. They just want to be able to make their work and hone their skills without dying in poverty. I think this kind of pursuit of fame is more driven by the underlying material realities, where you have to either pursue being incredibly famous or be unable to survive.
Maybe the ongoing collapse of American cities as places that are unaffordable for anyone other that the ultra-wealthy will push software engineers in this direction. The housing crisis in San Francisco alone should demonstrate that class interests of white collar employees are more aligned with those of the workers on the platforms they create then those of their current owners.