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thanks, that mostly answers my questions as well but if you want to address them too, feel free :)


what is the specifics of the job you have (front end, back end, etc)? What languages do you use? How long/intense was the bootcamp? If you could talk about your salary that would be great but of course I'd totally get it if you chose not to answer this one.


When they have to defend the very values and purpose of their company, I think it show something's wrong yes.


Whether they have to or not is clearly conjecture. And why would anybody in their situation not be defending their company?


That's a fair point on VM's loyal fanbase that was lingering since 2007. But Braff's project leveraged Garden State as much as Lee's Leveraged Malcolm X and others of his past films. Your argument is biting its own tail: You're saying Lee's project was entirely driven by his name, but that's because Lee made it so. He could have made a more convincing video or written a better text giving more info (just like Braff did) but he didn't. My point is that he could have been more successful if he had put in more effort.

That's the whole point: Spike Lee's past films should outweigh Braff's effort with Garden State when it comes to convincing people about their respective ability to make good films, but it didn't.


Braff pitched "Wish I Was Here" as a spiritual successor to Garden State:

> I was about to sign a typical financing deal in order to get the money to make "Wish I Was Here," my follow up to “Garden State.” It would have involved making a lot of sacrifices I think would have ultimately hurt the film.

http://www.kickstarter.com/projects/1869987317/wish-i-was-he...

Spike Lee isn't pitching the latest project as a continuation of Malcolm X


Maybe it's a language thing on my part, but for me "my follow up" means "my next project after", which doesn't imply any continuation when it comes to the movies' contents. (It's possible I got that wrong but at least you know where I'm coming from)


These are two excellent points you're raising here. About the 1st one: My intent with the sentence wasn't just to focus on the added revenue these projects provide, but also on the increased visibility they give to Kickstarter as a whole, which very much carries a long term impact for Kickstarter (SEO benefits, better brand awareness, etc). But I see what you mean: If these projects were truly hurting Kickstarter as a platform for everyone, they probably would have figured a way to make them stop.

Which brings me to your second point. It's true that the celebrity status is extremely tough to define and even tougher to measure in order to apply fair rules for everyone. But if there's a need for it, that is: if the existence of some projects start being detrimental to others, then I trust Kickstarter will work on it, crunch some data to figure out a way to prevent that from happening while remaining fair to project creators. Maybe by blocking projects a-posteriori, as they already did in the past.


That's better!


Would you feel better if there was a "dudes" version?


If it was just naked asses, yeah, but this seems to be targetting hetero males (and technically bisexuals and lesbians to a lesser degree) and is just lame.


A campaign that takes place on Instagram, or that makes extensive use of Instagram to gather content. ie: A photo contest on Instagram were participants tag their pictures with: #WhatTheHeckjcromartie to enter. (not limited to contests, but it's the most obvious example)


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