I don't think you need to be very biased to consider this a war of aggression.
Which, incidentally, is itself considered an international crime.
So, these children would be alive and as well as one can be inside the theocracy that is Iran unless the US and Israel committed the international crime of a war of aggression?
Incidentally, $26B is a sum in the same ballpark as the cost of eradicating homelessness in the US, ending large-scale hunger worldwide or making significant progress towards safe drinking water for all or the eradication of malaria.
I guess that's the definition of 'iconic' - many a time I have approached someone wearing a Ramones or Motörhead T-shirt trying to chat a bit, only to be told 'Sorry, don't know the music at all, but the shirt is cool...'
Sorry, not VAT - but the value of the benefit you gain from working on your own property (presumably also if you're, say, a car mechanic and work on your own car, etc.) is subject to taxation. Mea culpa.
The obligation to pay tax only kicks in (as far as I can tell, IANAL) if the work is substantial and of a nature which requires professional skills.
Here's a recent link, though in Norwegian, I'm afraid:
Jesus! Spinning this forward, this means: If I'm a professional wealth manager and I manage my own wealth during working hours (because office not busy right now), then I would have to pay taxes because I'm a finance pro applying my own skills on my own stock portfolio?
IANAL, and I have only heard about a couple of cases where people have been taxed under this statute - typically carpenters having built or renovated their own homes or cottages.
(Their obvious disadvantage being, of course, that the result of their labour is very tangible - and that whenever you do any significant building work, you'll need permits and documentation afterwards, making it difficult to discreetly renovate something off the books...)
I have seen very wierd tax laws in other EU countries, but this is really "fresh": In that case I would somehow try to do it without someone noticing (so treat your neighbours well :-D) - this is similar to collect taxes on food that Ive grown on my balcony
I read the Norwegian article that was linked, and it isn't actually similar: you would only have to pay taxes on food you've grown on your balcony (and mean to consume yourself) if you are a farmer, are growing it during regular working hours, and have an insanely huge balcony.
Another thing that makes home construction a bit different in this regard is that you could claim to build a house for yourself, live in it for a bit, and then sell it on a couple of years later. That'd be an easy way to avoid or evade taxes. Not so easy with lettuce -- once you've eaten it, you've eaten it.
A Soviet engineer needs some plumbing done in his apartment, and calls for a plumber. The plumber arrives, does his thing, and hands over the bill.
The engineer is shocked. -'What, this is like a quarter of what I make in a month - for half an hour's work???'
Plumber shrugs. -'Well, why don't you come join us? Easy work, well paid, no responsibility - just remember to keep mum about your degree, as we're not supposed to hire academics.'
Our engineer contemplates this for a while, applies for a job as a plumber - and gets it.
All is well, good money, no responsibilites - until management requires that they take evening school classes to gain new skills and thus better build socialism. So, grudgingly, our engineer enrolls in a math class and, upon arriving, finds that the teacher wants to establish what the plumbers already know.
-'You over there - could you please come to the blackboard and show us the formula for the area of a circle?' he asks our engineer.
Standing at the blackboard, he suddenly realizes he can't for the life of him remember the formula; while a bit rusty, he soon figures out how to reason it out - furiously writing out integrals on the blackboard, only to find the area of a circle is -(pi)*r^2.
Minus? How did a negative enter into it, he thinks, going over his calculations once again. No, still gets the same result. Sweat building, he turns away from the blackboard for a moment, turning to the other plumbers watching.
As in one voice, they all whisper -'Comrade, you must switch the limits to the integral!'
I guess the accuracy of such solutions vary by jurisdiction; I just received my tax return for 2025 in Norway.
The sum owed I had calculated at the end of 2025 was less than 2% off from the sum our IRS equivalent came up with.
Their sum was the most favorable to me, though - they had adjusted a deduction I qualified for last year which I had missed.
This level of accuracy is down to our IRS knowing just about all there is to know about our income, assets, debts &c of course - oh, and on there being fewer loopholes in our tax code...
The advantages of vinyl are basically making up for lack of self-discipline in humans. (I much prefer vinyl for that precise reason!)
a) Since putting it on becomes more of a ritual - handling the album carefully, brushing off lint, placing the needle &c - I find I make more of an effort to actually _listen_ to the music I put on. I could listen as intently to Spotify or Tidal, too - but, alas, I most often don't.
b) Seeing as you'll get some 20-odd minutes of music before having to make another choice - be it playing the other side or another album entirely - it enforces having to decide on what you'd like to listen to, rather than just letting your streaming service of choice play things it thinks you may like. (That being said, streaming services are a great way to explore new music!)
c) Given the economics of streaming, buying physical media helps both the record stores - a good one is like an excellent library, in which the librarians give you all sorts of curated recommendations for things you may like, in addition to being great social meeting places with like-minded folk - and performing artists alive; I've no idea how many hours I would have to listen to an artist on Spotify before the payout is equal to their takeout from a single vinyl sale...
d) Besides, it is cosy.
That being said, you could easily DSP CDs or streaming to sound like vinyl if that's your idea of fun - just about any playback format is superior sonically to vinyl. However, to many, it is the whole ritual of putting on a record which basically makes it worth the sonic tradeoffs... (Call me a luddite if you like!)
In a similar vein, vinyl records make the unit of music an album, and I like it in situations where the artist has created "an album" rather than "a collection of ten-ish tracks".
I listen to most of my music on phones or computers and when I do, I like to pick out a track at a time or put together a playlist or just shuffle the whole damn thing.
When I purchase or put on a record, it's because I think the album is a cohesive work and I want to listen to it as a piece; the constrained format created the concept of an album, and using it enforces listening to the music as an album.
> In a similar vein, vinyl records make the unit of music an album, and I like it in situations where the artist has created "an album" rather than "a collection of ten-ish tracks".
I don't see how this is different between a record and a CD.
The killer feature of CD players is shuffling and skipping tracks.
Heck, it used to be all the rage to get a three or five CD changer and shuffle the whole thing, comfortable unpredictability, forty or fifty songs you like but never knowing which is next.
You could likewise just listen to an album on your phone, in order, but it's too easy to let your distraction kick in and switch it halfway through.
As someone who grew up during the transition, the killer feature of the CD was amazing audio quality and the lack of degradation from every playback. The period where we started finding albums marked "DDD", for fully digital production, was also amazing.
It saddens me a little that, in spite of all the technology, actual Hi-Fi listening seems to have become less accessible or prevalent. I'm still not sure how much this is really for the commonly stated reason of convenience, and how much that is really cope and denial of a bigger socio-economic decline. I.e. it simply isn't as realistic for regular people to have a Hi-Fi listening space...
Anecdotally, I don't think hi-fi's decline has to do with cost - at least not cost alone. You can still get a more than decent system which will fit most living rooms for quite reasonable money - I just had a look at prices at a national retailer's website here in Norway, and you can get a pair of decent bookshelf speakers and a stereo amp delivering 2x60W into 8 ohms, built-in streaming support and a HDMI input to ease connection to the TV, covering the most common use cases nowadays, for less than $1,000.
For comparison, median income after taxes is approx. $50,000 a year, so we're looking at less than a week's net wages.
I think it is more likely that our media consumption habits have changed - when I was a kid in the eighties, a few - like, the bank branch manager, the dentist and a few others - had a VCR at home. The rest of us had TVs, meaning we watched what was on at the time, or (once in a while) rented a VCR and a movie.
That aside, our media choices were radio, going to the cinema (not very often!) or - drumroll - recorded music.
Hence everybody had stereos. I believe my parents were quite typical - when I was a toddler, they bought a number of LPs with radio dramas for kids on them, music for kids &c - the stereo was basically the entertainment hub.
Today my family and I - wife and three kids aged 10, 12 and 16 - have between us, let's see, 2xTVs, a 40" and an 85", the latter with a 5.1 system attached, both with Apple TVs, a stereo (making us an outlier!), three ipads, three smartphones, two dumbphones, a handful of radios, three - oops, four - laptops, a PlayStation, a couple of Nintendo Switches...
There's basically so many more options to spend our media time on, and at the same time there's way more leisure activities aimed at kids now than when I was a kid, so the kids are barely at home during the week (at least it feels that way!), leaving less time (methinks) for media consumption than only a generation ago, while at the same time having many more options.
So - basically, for many, only a generation ago, the stereo was the entertainment hub and you were kind of expected to have one. Nowadays the entertainment hub is some kind of internet-connected device, and a stereo is a niche product.
Yeah, I think there are lifestyle changes and it is a shift of priorities. There are many choices. As a kid, I never would have imagines how many people would carry around $1k phones in their pockets and how many of these would exist in a household.
But I also hear lots of people complain they don't have the living space to dedicate to a Hi-Fi nor the time to use it if they did. To me, that is a sort of erosion of quality of life compared to what the middle class used to be able to enjoy.
I mean, CDs replaced vinyl and cassettes for a lot of reasons, and the shuffle probably wasn't number one on anyone's list.
But still, I would be shocked if I listened to any CD straight through more than once, immediately after buying it. Once straight through to hear all the tracks, and then every time after that it'd be skipping around through my favorites or shuffling on repeat until I got tired of it and switched CDs.
And then once CD burners reached my price point, it was almost nothing but mix CDs, the original albums left on a rack in case I needed to re-rip them.
I did record a lot of my vinyl and CDs to cassette tape for portable and car use. I remember many public transit rides with my walkman and a zipper case of 10 tapes or so. I made some mix tapes but mostly just ran albums straight through on 90 minute metal tapes, repeating or cutting a track as needed to fill the 45 minute side and make auto-reverse pleasant without any winding.
But, ignoring mix tapes, I didn't really get into track-level shuffling until the MP3 era where I could shuffle a much bigger pile of tracks. I do remember that a Sony 5-disc carousel could shuffle tracks reasonably quickly. But when I used players with a 6 or 10 disc cassette, track shuffle would mean spending a lot of time listening to servo motors and occasionally disturbing clunks that evoked visions of shattered or gouged discs.
I never had one of those massive jukebox style carousels that was sort of a hybrid of the two and could quickly switch among scores or hundreds of discs. By the time I saw those as affordable, they already seemed obsolete. Instead, I was ripping my CDs to MP3 (eventually repeated to FLAC), and had a USB to S/PDIF soundcard to send audio back to my A/V receiver over optical fiber.
> But still, I would be shocked if I listened to any CD straight through more than once, immediately after buying it. Once straight through to hear all the tracks, and then every time after that it'd be skipping around through my favorites or shuffling on repeat until I got tired of it and switched CDs.
I think that a reasonable number of people had audio gear (boomboxes) that could play a CD and record it to tape at the same time (and also record the radio to tape).
I think that for a number of years a lot of folks used mix tapes to listen to their favourite tracks from a CD (or a number of CDs).
There's one (related) difference - an LP can hold approx. 45 minutes of music, a CD can hold 80-ish (The original spec called for 74, but I think the most I've seen on a single disc is 82-ish minutes).
Unless an artist is very disciplined, that means what would be a decent album at 40 minutes worth of music in LP days would be half an album today.
Again, this is a shortcoming in people, not in the medium itself - after all, a stellar 40-minute album can be released on CD, too.
I have heard expressed many times, though, the expectation that a CD should be 'full' in order to be a proper product - or, for that matter, the artist can be less severe in the cutting room, seeing as 'Oh, we've got room for that one, too
...'
I'd much rather have a condensed album which is mostly great than the same songs mixed with as many tunes which ought have been left in the archives pending a 'Collector's edition', 'Complete outtakes' or similar.
Then again (again!), at least a CD lets you skip the filler and listen only to the good stuff - at the risk of losing some of the recording artist's vision. Which, again, is a matter of (lacking) self-discipline. The LP raises the bar for skipping songs, hence forcing us weak souls (I count myself among them!) to listen to the full work, as the artist intended.
Or, at least as the artist intended before 'new release' meant uploading a new song to streaming services, making the album - as a somewhat cohesive collection of songs - a niche product.
Apropos nothing, the latest album I bought is a CD which arrived in the mail today, and it clocks in at 55 minutes and 20 seconds. Picked up a handful of LPs last week, though.
I had a stroke of luck this week - I am due a new laptop at work, and ordered a new ThinkPad T14, as they have served me well in the past.
Then IT calls back and says that I shouldn't configure one directly at Lenovo's website, as we are to buy them from a retailer instead.
OK, can do - but they only stock a few models, and the one with the CPU and disk I had configured with Lenovo was only available with 64GB RAM at the retailer. What to do?
'Ouch, that's gonna make accounting hurt. We'll order it for you right away.'
Anyone who would happen to come across it is likely to be suspicious of its origin and purpose, though.
I happen to drop equipment into the sea for a living on occasion, and we always paint it in garish yellow for visibility and label it clearly with contact info to allay suspicions. Typically "Scientific instrument - flux capacitor, Acme Co. - www.bar.org // foo@bar.org // 555-2368"
Also, we notify the coastal administration and the mapping agency so that an EfS (NOTMAR; Notices for Mariners) may be issued if they deem it necessary.
A cynical colleague suggested we had better label them 'Highly radioactive' to keep fishermen from picking them up and taking them apart out of curiosity...
LB1LF here - much to my dismay, I currently have no antennas at home, but I take part in the IARU Region 1 Field Day every year - some friends and I, alumni from the Norwegian University of Technology and Science in Trondheim, Norway created a ham radio club - LA1AFP - for the express purpose of having an excuse to meet up annually and have a good time.
I have mostly worked HF phone, but in latter years I've (finally!) become reasonably proficient in CW, too.
I enjoy the technical aspects of the hobby, being a radio frequency engineer - but also enjoy chatting to others, particularly to improve my language skills - Portuguese and Brazilian hams are an absolute delight and quite patient as I try to make myself understood in Portuguese!
Oh, and chasing the occasional award - but I am not very good at sending in the paperwork, so I guess I had better do that soon and get some paperwork for my shack. I have a particular soft spot for the RSGB IOTA program, as I live on one - EU-079 - myself.
I hope to be QRV from home again before long, though - I live on a farm, have lots of room, and I have a small mast and an almost finished wire beam in the barn, so with any luck I'll be able to put it all together and have a working station again sometime this spring!
Which, incidentally, is itself considered an international crime.
So, these children would be alive and as well as one can be inside the theocracy that is Iran unless the US and Israel committed the international crime of a war of aggression?
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