I've always read Hamlet as very much about the gap between internal activities and the way they are recorded or remembered. The big joke of Hamlet is that from the outside, his story would have looked like a young prince going insane and impulsively murdering his uncle; it's only the audience that gets to hear Hamlet's soliloquies, and understand him as a sensitive, indecisive, deceptive, and patient person, who's been carefully building a case and means of revenge.
That's why his last lines are all about his fear that everyone will misinterpret what has happened, and regret that he doesn't have enough time to tell Horatio the truth. "O God, Horatio, what a wounded name,/Things standing thus unknown, shall live behind me!" and "So tell him, with th' occurrents, more and less,/Which have solicited. The rest is silence." and so on. (or, for that matter, his whole speech about "I know not “seems.”")
So I think it's less that we're meant to doubt Hamlet's sanity, and more that Shakespeare deliberately set up a weird scenario so that only the audience can understand that Hamlet is sane.
That's really interesting! I love how Shakespeare usually has contradictory readings, and I'd like to propose one now: Hamlet's actions really aren't justified, and the play is there to show us how he talks himself into making such a bloody mess out of the situation.
In high school I thought Hamlet was a comedy. All the characters seemed deluded to the point of foolishness. The ending is a perfect comedy of errors. My feeling was good riddance!
Comedy and Tragedy are a matter of perspective. I've seen Titus Andronicus performed as a comedy (And also as a comedy cooking show) - what seems dramatic can also seem melodramatic as a matter of portrayal. The darkest of realities can be the lightest of jokes, ever heard a dead baby joke? Likewise, most good comedy has a serious core at it's center. I have no doubt that by changing the stakes slightly, Caddyshack could be a serious statement on the human condition: Make the scholarship the make-or-break for Danny's college chances, put Spackler on the edge of feeding his kids. Comedy and Tragedy are simply how much distance we put between ourselves and the characters.
PKD had amphetamine problems, not methamphetamine. Though of course they are related, meth is in a different class when it comes to potency. His hallucinations and mental issues started well after he finished a drug rehab program in Vancouver so it's not certain they are related.
As an aside, the dreary, rainy atmosphere of Blade Runner was inspired by Dick's residency in Vancouver.
He was not really involved. He was consulted a bit, and while he disapproved of the original script, it seems he liked the rewrite. He screened a preview and reacted positively to the general feel, however he died before it was completed.
I doubt he was involved. I believe he died only months before the movie’s release. The story/novella describes plenty of grim weather because Earth’s atmosphere has been nearly destroyed.
How much collaboration from private tech does the US military need to maintain global dominance? Where does this line of reasoning end? How much of your day, specifically, should you instead be spending supporting the armed forces?
There's no reason to make that calculation. The military does it for us, and then they offer to pay people to do the work they deem important. My point is that refusing to do that work out of some sense of principle is misguided, naive, and wrong.
Of course there's a need to make that calculation. The military's calculation is based on people's willingness and reluctance to work for them, and they offer to pay because they have to. The military would be happy to have you work for them for free, if you think what they do is so important.
Your point is that working with the military is good, because being ruled by China would be worse than the current situation. So the moral benefit you're proposing extends insofar as we prevent China from taking over the US. How much do you think Silicon Valley needs to cooperate with the military to prevent replacement by the Chinese?
> So the moral benefit you're proposing extends insofar as we prevent China from taking over the US. How much do you think Silicon Valley needs to cooperate with the military to prevent replacement by the Chinese?
A lot. Whether or not we like it, automation, AI and autonomous weapons are going to become a huge part of the modern battlefield. Silicon Valley needs to be a big part of that process. If you abdicate your role in technology like this, you don't just make it go away. All you do is cede control of it to someone who is willing to do it. Who doesn't share your sense of morality. How, exactly, is that better?
It blew my mind when I first realized why pigments were so valuable in the ancient world: before modern mass-production of countless different mixable pigments (and now, digital displays that can render almost any color the eye can see) a person would literally not be able to see a certain shade their entire life except on a certain material. The distinct color of royal purple would have been an experience to see, in the same way we react to rare colors like Vantablack or International Klein Blue today.
de Grey seems like a great guy; he's a fantastic speaker, I generally agree with his vision of humanity, and this proof is impressive. I haven't attacked his character, nor do I plan to.
With respect to his work on resisting human aging, he hasn't produced anything of value.
Unrelated, but it's fascinating to see an article from 2013 reference Andrew Auernheimer as a benign hacker. That's turned into a hell of a story on its own, huh.
> Should be noted, on the subject of easily verifiable facts, that DeLong is not a leftist.
Are you trying to make some subtle distinction between "leftist" and "left-wing", or are you claiming DeLong doesn't even qualify as a "left-wing economist"?
I don't see anything in the page you linked that would qualify him as a "left-wing economist". Neither supporting an openly capitalist political party nor providing theoretical underpinnings for financial deregulation qualify as "leftism".
...unless it violates someone else's property rights. The point of capitalism is that people can own things, and you can do what you want as long as you don't violate that system of ownership. The point of anarchism is that you can basically do what you want.
> The point of anarchism is that you can basically do what you want.
This is a simplistic characterisation. Anarchists hold individual liberty in the highest regard but also believe in solidarity and mutual aid. You can "basically do what you want" as long as you aren't restricting the individual freedom of others but rather supporting everyone in having access to the same means and rights as you do. Since exploitation of people is so endemic in our society, anarchists work mainly to free themselves and others from oppressive systems. Right now we can't do what we want, so anarchists fight against the social dynamics which are preventing this.
Well, but in the absence of an overriding rulership, i.e. anarchy, you actually can do what you want even if you're restricting the individual freedom of others and denying them access to the same means and rights as you do. There's clear motivation for some people to do that, and what's going to prevent them from doing that to weaker or less resourceful people? And a system capable and intent on effectively doing that essentially becomes a de facto system of governance, and the situation ceases to be an anarchy.
System of governance is different to a state. Anarchists are against the state but not necessarily against government, as long as that government's power comes from voluntary association and not by coercion.
Communism is an anarchist philosophy, ultimately... Agree with it or not, a (simplified) original reading of the Marxist historical programme involves a dialectic model whereby you wind up in a stateless society by building up and tearing down a central state.
This would contrast with anarchocapitalists who arguably advocate a more direct route to anarchy, usually tinged with crypto conservative sentiments...
And probably a classical socialist (as in Benjamin Tucker) take on anarchism would be still different, but I don't think there are many of them left, though there might be some contemporary philosophical adherents to Max stirner that live in that space there.
I don't consider anarchocapitalists part of the Anarchist tradition. Even Rothbard said "We must therefore conclude that we are not anarchists, and that those who call us anarchists are not on firm etymological ground, and are being completely unhistorical."
Anarchists, like other communists, have as their goal a "classless, moneyless, stateless society". This absolutely cannot include capitalism because any capitalist society inherently allows for classes to exist and would probably require money. Furthermore, it is pretty evident that capitalism cannot exist without a state and therefore the term "anarchocapitalism" is an oxymoron.
Anarchocapitalists are not strongly connected to the anarchist tradition, though they do inherit a thin thread via Benjamin Tucker, and American libertarianism. They are still anarchists in the strictest sense in that they are for the abolition of the state (open question of if property rights make sense in a stateless society), even if they got there via a largely different tradition. Classless and moneyless attributes are optional in anarchism though they are features of some branches of the tradition, in particular those that emerged from the Marx branch. I doubt Tucker, for example, would have claimed a moneyless and classless society as necessary attributes of his social ideal, and he was definitely a classical socialist anarchist.
In most cases, the antidote to dangerous speech is more speech.
But history shows that when fascists have free speech, they use that freedom to take away the right to free speech and free assembly from their opponents.
And it gets much, much worse after that.
Fascism is so dangerous that it cannot be allowed a foothold. That's why Antifa shut down fascist speech.
Being gay, black or Jewish has nothing to do with it.
You are really stretching the idea of free speech. The point is that you are free from state repression of your speech because the state is supposed to have a monopoly on force. If the only legitimate use of force in society is used against those that speak out against it, you are living in a very unfree society.
I'll frame the antifa situation in more microcosmical terms that make it simpler to understand: Say some survivors from a natural disaster at a village down the road have shown up in your town and are camping at the outskirts, trying to get back on their feet. There have always been some cultural animosities towards these people but they haven't done any harm to the townspeople. Some farmers have recently lost some chickens, probably due to an increase of the local fox population as the foxes also move away from the natural disaster. A local schemer sees an opportunity to gain power and starts convincing everyone that the villagers from out of town have been stealing chickens and that it is the current mayor's fault for allowing them to stay at the outskirts.
The schemer never says to do so himself, but knows that there are other townspeople that are willing to commit violent acts towards the blow-ins, particularly some of the farmers that have been poorly affected by the loss of chickens. Despite the knowledge that his words - especially when amplified by an audience of followers - will embolden the more violent factions in their aims, he continues to speak out loudly against the outsiders because it is gaining him so much popularity.
Another group, who are friendly towards the poor sods that lost their homes and entire livelihoods, have noticed the dangerous dynamic that is brewing among the violent groups that are threatening the outsiders. They see that the dangerous words of the schemer are turning more people to support the violent acts. They see that the mayor has been put in a tough place by the schemer's words, and any denunciation of the schemer's agenda would appear an abuse of his power - shutting down the "free speech" of the schemer - or an intolerance that would lose him the chance of re-election. They decide to take matters into their own hands and themselves denounce the schemer and his tirades. They go to his speaking events to disrupt them and point out his hypocrisy. This leads to clashes between them and the violent followers of the schemer. The schemer appeals to the townspeople as a victim, claiming that the friendly group are violent instigators of injustice against his freedom to speak ill of the outsiders...
I think it's obvious who's who in the story. Shapiro and Yiannopoulos have absolutely said fascist things. (Hitler sounded reasonable to many people at the time too.) Even if they don't themselves believe in fascism, their failure to denounce the violent groups who have used their rhetoric to justify violence is damning enough.
> Who dictates what is dangerous speech?
Maybe the people that are on the receiving end of actual violence that is being motivated by said speech. It's all around you and you're just choosing not to see it because it's not affecting you personally.
It is likely that they view the speakers as advocates of ideas that limit the individual freedoms of others. Making it about free speech is a bit of a misdirection. When that speech furthers a system they disagree with, they are likely to make a stand against that speech.
That's why his last lines are all about his fear that everyone will misinterpret what has happened, and regret that he doesn't have enough time to tell Horatio the truth. "O God, Horatio, what a wounded name,/Things standing thus unknown, shall live behind me!" and "So tell him, with th' occurrents, more and less,/Which have solicited. The rest is silence." and so on. (or, for that matter, his whole speech about "I know not “seems.”")
So I think it's less that we're meant to doubt Hamlet's sanity, and more that Shakespeare deliberately set up a weird scenario so that only the audience can understand that Hamlet is sane.